La Guerre- Yes Sir!

No one has ever said French-English relations in Canada are straightforward, certainly not Roch Carrier, our once upon a time National Librarian and author of the much beloved the Hockey Sweater- well, beloved by everyone except maybe Toronto Maple Leaf fans. Although he is best known for this children's classic, he was also a novelist for adults and much like the Hockey Sweater, his novella La Guerre- Yes Sir! attempts to explain the eccentricities that divide us and bring us together.

The novel takes place in a small Quebec during WWI. The town acts as the backdrop for a fable-like story of conscription, religion, love, family and yes- the dreaded French-English relations. The novel features a variety of soldiers- one on leave, one avoiding going all together, one upon his return and one upon his return in a coffin. These French soldiers, in all their states, are interrupted by English soldiers escorting the coffin of the fallen French soldier. Add in a few dozen drunk villagers and trouble is bound to happen.

The novel is at times terrifyingly violent, but the characters are written with great compassion and the novel is clever and concise. A definitely worthwhile read.

-Katy

And now to the other coast...

I was starting to feel like all I was reading were East Coast novels! I have been enjoying them very much (well some of them), but I am glad that the last two Canada Reads books are both B.C. authors. First up, Wayson Choy's Jade Peony.

Atlantic Canadian fiction definitely has some similar themes across the various novels I read: Allistair MacLeod, Michael Crummey and Anne-Marie MacDonald all wrote about family history, with plenty of mythology and folklore thrown in. Wayson Choy, in many ways, is the Vancouver version of these writers. Jade Peony tells the story of a Chinese-Canadian family during the 1930s and 1940s residing in Vancouver's Chinatown. The story is divided into three parts, each from the view point of one of the families children.

The first part, my favorite, tells the story of Jook-Liang. She is the only daughter and has to balance between her responsibilities as a girl in a traditional household and her love of Western culture (mostly, Shirley Temple). She befriends Wong Bak, a deformed elder and an unlikely and touching friendship blooms.

The second story is of the second brother Jung-Sum. He was adopted from another Chinese family when he was younger, although still has memories of his traumatic time with his biological family. Jung-Sum embraces the world of boxing, finding community at the gym.

The final story emerges as the Second World War approaches and the Chinese community begins to attempt to distance itself from the vilified Japanese. The world outside of the tight-knit Chinatown plays a much larger role in third brother Sekky's story. Sekky's world is divided between his attempts to overcome the illness he was plagued with early in life and his love of war games.

The folklore is brought into the novel through Poh-Poh, the children's elderly grandmother, who brings many Chinese traditions to their Canadian home. She firmly holds at least part of the household in the 'old' world, while the children try to find their way into the 'new.'

Wayson Choy is a lovely writer and I enjoyed reading Jade Peony. A very nice introduction to the West Coast. It is a tough race between Jade Peony and Nikolski for my Canada Reads vote.

- Katy

The Wars

Unlike a large amount of Canadian teenagers, I somehow missed out on reading Timothy Findley in school. Yet, somehow I still closely associate him with the Canadian high school experience. In reading The Wars, Findley's novel of World War 1, I felt transported back to grade 11, unfortunately not in a particularly good way.

Robert Ross, a nineteen-year-old Ontario boy, shortly after the death of his beloved sister, signs up for war. This sends his family into a bit of a tail spin, adding a side plot to the story. The novel follows Robert through training as an officer, to France and his days in the trenches. Robert ultimately suffers from, what is now known to be, post-traumatic stress disorder and rebels against the institution of war in one desperate act to save the lives of horses.

The story is told from an interesting point of view. Someone is researching Robert's story and letting us in on what he discovers. As an archivist, I am always happy to see one pop up in a novel, so having the researching angle would normally entice me. But in this novel it feels too undeveloped, like the story of Robert's family, Findley does not spend time showing us their world, but only uses them as a convenient mechanism for the development of Robert's plot. It leaves their bits feeling forced and unimportant, taking away from rather than adding to the novel.

Overall, the book reads like something out of those old school readers. Some great examples of literary technique for a grey haired high school teacher to lecture for what-feels-like-hours about while his students pass notes and nap.

-Katy